The following is an article from the Futuna Chapel Trust February Newsletter:
Futuna Chapel Trust is thrilled to announce that internationally renowned art conservator, has joined the Futuna Chapel Trust board of trustees.
With over 40 years of experience in Art and Heritage Conservation in both Italy and New Zealand, Carolina describes her contribution to the field of art conservation and corresponding scientific research as a privilege.
“Being trusted to work on the conservation of European masterpieces by artists like van Dyck and preserving the works of modern New Zealand artists such as McCahon is an honour and I find so much joy in my work,” says Carolina.
A project close to Carolina’s heart was the conservation of Jim Allen's crucifix at Futuna Chapel which was restored by Carolina following a dramatic story of discovery in a farm shed after it was stolen from the Chapel in 2001.
“Restoring Jim Allen’s crucifix allowed me to deepen my appreciation for the collaboration between John Scott and Jim Allen. It also reinforced my passion for preserving cultural heritage. I already feel a strong connection to Futuna Chapel from the time I spent restoring the crucifix and the 12 stations of the cross. Joining the Chapel as a trustee is a lovely continuation of that connection for me.”
Carolina's career began in 1980, shortly after the earthquake in Irpinia, Southern Italy. At just 23 years old and having recently completed her studies in art conservation in Florence, Carolina found herself working in some of the most affected areas. Her growing expertise led to opportunities with the Italian Ministry of Arts and Culture, where she spent over two decades restoring historic sites and artifacts. In recognition of her work, Carolina was honoured with the title of Cavaliere (Knight) of the Republic of Italy in 2016, an acknowledgment of her dedication to preserving cultural heritage.
One of Carolina's most rewarding projects in New Zealand was the restoration of the Isaac Theatre Royal in Christchurch following the city's earthquakes. The iconic dome, which had suffered extensive damage, required a thoughtful and innovative approach to its conservation. Carolina’s team developed a unique method to remount the original painted canvases, which ultimately earned them the 2015 Interior and Heritage Award.
Throughout her career, Carolina has remained focused on the importance of safeguarding our shared history, and it continues to inspire her work to this day.
We welcome Carolina to the Futuna Chapel Trust and look forward to leaning on her knowledgeable background.
For further information this video discusses Carolina' s involvement in the conservation of Jim Allen's crucifix at Futuna Chapel.